Tag Archives: John Fay

Torchwood: Children of Earth: Day Four (Spoilers)

Day 4 descends into unexpected horror, in the best-written, acted and directed episode of ‘Torchwood’ since the franchise’s inception. Writer John Fay, director Euros Lyn and the cast never hit a wrong note and leave you slackjawed after an hour of dark twists, shocking turns and the sort of quality you’d expect from ‘Spooks’ at its best. But that’s the ground ‘Torchwood’ now occupies – edgy adult drama where anything really can happen.

I saw very little of day 4 coming. I didn’t see the strength of the team’s plot against the government catching even the evil henchwoman off guard. I never thought the government would so happily capitulate with the 456. I never thought the 456 would kill everyone in its path when stood up to, even Jack and Ianto.

Ianto?

I actually welled up. Gareth David-Lloyd and John Barrowman’s characters ironically show more love for each other when Ianto is killed than they did in life, bringing out the sheer horror that it is to be Captain Jack, the man who can’t die, and putting the lie to his daughter’s claim that a man who can’t die has nothing to fear. His previous appearances painted him as a cocky superhero – he’s now changed to a man who can’t risk feeling anything about anyone, cursed by Rose’s gift of immortality. But that wasn’t the only strength of day 4.

Fay’s detailed cabinet discussions on dispatching 10% of the child population of the country (and the world) are even more horrific. Their casual collusion with the murderous, unseen alien, with their talk of ‘units’, ‘mystery jabs’ (Peter Capaldi’s Frobisher now resembling his spin doctor of ‘In The Loop’) and ‘low achievers’ is unlike anything I’ve seen in a programme of this kind on the BBC before. In many ways the government’s discrimination-ridden attitudes in choosing to kill all poor children are even worse than the alien’s plans. ‘What (else) are the school league tables for?’ Woah now a fierce political/social commentary which doesn’t just make you wonder, but makes this government even more dangerous than The Master’s. I’ve seen this episode likened to ‘State of Play’ – it’s not an unfair comparison.

The team is broken, humanity is at war with itself. Will RTD ruin everything with an awful, joyous reaffirmation of humanity’s shared solidarity again (as in ‘Last of the Time Lords‘), or will we get a thoroughly darker resolution? After this episode’s shocks and terrible sadness he has to tread very carefully indeed.

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Torchwood: Children of Earth: Day Two (Spoilers)

Day 2 isn’t quite as frenetically paced as Day 1, and the writing by John Fay isn’t quite as tight, but the continuing government conspiracy about ‘the 456’ doesn’t let up, nor is it any the less intriguing. Bereft of headquarters and their government affiliation, Torchwood are on the run for their lives, but why? Gwen refers to Peter Capaldi’s John Frobisher as their man in the government, so why would he want to kill the only people who can help them tackle the 456? What is the dark, dirty secret only he knows? And what is it they’re building at Thames House?

Day 2 retains strong characterisation – Ianto and Jack retain their greater depth through the involvement of their families – Jack’s grandaughter and Ianto’s sister and brother-in-law both play key roles in humanising characters which have for too long been one-note. And their unsuitedness for one another continues to be a theme – their inevitable post-regeneration reunion is as ambivalent (nice ass by the way, Mr Barrowman) as we’ve seen them treat one another before. Can an immortal man ever find love? It is Gwen though who is a revelation – how ruthless is she? I love it! Her’s and Rhys’ relationship is now (finally) the cornerstone of the franchise, now both characters are written consistently – they bring energy and heart to a series which has for too long tried merely to shock. And the sense of menace which envelops the cast, which wasn’t there when Jack was on the run from the Master’s government in Who series 3, works well here. The conspiracy, friends turning into enemies, not knowing who the 456 are or their motivations, keeps an eerie, unsettling quality largely missing when aliens invade in parent show Doctor Who. It’s a nice touch.

So why can’t anyone know about the 456 on pain of death? And how does a lowly civil servant like John Frobisher have the connections to take Torchwood out? Fay (occasionally too often and too obviously) has us constantly asking questions, and only drip-feeding us answers. For the first time we can take nothing for granted – even the tone (I really really liked the horror of Jack’s regeneration), and it oddly settles the show down. It’s an approach which has brought longevity to shows like Doctor Who and Spooks, and thankfully RTD has now given this show which has had so much potential the voice that it needs. So the 456 need a chamber with an acid atmosphere, and they need it tomorrow. Why does the government build it for them, and what do they need it for? We’ve had dark conspiracies at the heart of the Whoniverse government before, but this one is a real delight, and it’s a delight because the real baddies are human – the sci-fi element seems this time merely to be a device to frame a very dark, human drama. It’s just what the *ahem* doctor ordered. Bring on day 3!